Haunting The Reynosos
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Some secrets are best kept locked away… Written by Henry Guzmán Directed by Roberto Cambeiro Dates: November 26, 2010 - December 12, 2010 ( 7:30–9:30pm) Location: 59-61 East 4th St, 2nd Fl New York, NY 10003 |
Synopsis
On a fictional Caribbean island, someone or something is haunting the Reynoso family. Could it be from guilt for the sins of the exiled family patriarch? A government conspiracy? Or have the father’s victims of torture returned from the dead?
This play is the second installment in IATI’s Collaborative Theater Project (CTP). Beginning in August 2009, it was created in collaboration with the playwright, director and actors.
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Starring
Winston Estevez Credits
Set Designer: Ji-youn Chang |
The play is performed in English, and Spanish with English Supertitles.
Avoid box office lines and/or sellouts — buy your tickets NOW and SAVE!
Preview Night (November 26, 2010)
Door Rate: $15.00
Online Advance Savings: $10.00
November 27 – December 12, 2010
Door Rate: $25.00
Online Advance Savings: $20.00
Tickets for Haunting the Reynosos may be purchased by following any of the links on this page. If you need assistance placing your order, call OvationTix customer service toll-free: 866-811-4111. Do not exit your Web browser. Customer service hours: 9am - 9pm M-F / 10am - 6pm Sat + Sun (Eastern Time).
Salsa Workshop
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Language: English, Spanish |
Synopsis
Grab a partner and get on the dance floor. This workshop will teach you all the basic salsa moves you need to really get your groove on. Starting slow, the lesson will show you the basic steps for the individual and build up to basic partnering techniques.
This touring workshop is part of IATI's Triple Play Tour Program. Please contact our office for booking information.
The Brave Calf
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This touring play is part of IATI's Triple Play Touring Program Written by Walter Ventosilla Directed by Walter Ventosilla
Location: 64 East 4th St, New York, NY 10013 |
Synopsis
This is the story of a little calf that one day decides to leave his stable to explore the world. This takes him to the mountains where he befriends a rabbit and a buzzard (vulture.) He also meets an evil selfish bull that has taken over the only lake around and doesn’t want to share the water. The calf, with the help of his new friends and nature, faces the evil bull to defeat him before he takes possession of all natural resources, which he will cunningly achieve without violence, making the bull eventually reflect about the importance of friendship, team-work and collective care of the environment.
Starring
German Baruffi Credits
Playwright & Director: Walter Ventosilla |
I Want You By My Side
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Based on Quiero Que Estés a Mi Lado by Pati Doménech Written by Tere Martínez Directed by Arian Blanco
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Synopsis
Lauren, a college freshman, is suddenly confronted with the possibility of being HIV positive. This fear causes her to wake up and appreciate the love she has taken for granted as she realizes how a single bad decision could change her life forever
Starring
Howard Collado Credits
Set Designer: Yanko Bakulic |
The Junk Eater Wizard: An Ecological Adventure
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Written by Pati Doménech Directed by Rubén Darío Cruz II
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Synopsis
Two kids come across a wizard who’s destroying the city with magic potions and bad habits. With the help of their grandma, they decide to confront him. Will they win? Join us and you will see.
With this production for children from kindergarten to 5th graders, IATI looks to promote a positive attitude among students to respect the environment.
"The Junk Eater Wizard” is the title of this play, in which intrigue and smoke surrounds the lives of two children in a polluted city. A suspicious pseudo science, with its excesses, lead to the development of a plot in which children, after being victims of its powerful drinks, feel they must unmask this uncontrolled man and save the city from an ecological disaster.
IATI Theater is concerned that the quality of life, sustainable development, resource management, ecology and all that revolves around the issue of environmental degradation is increasingly and more widely affecting more areas of society. For IATI does not want to remain indifferent to issues of deep draft, and includes to its repertoire a production that reflects on this matter.
Playwright's Lab
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Bring your laptop and let’s get going on that first draft Dates: December 4, 2010 - May 14, 2011 (Saturday 4–6pm) Language: English, Spanish Location: 59-61 East 4th St, 2nd Fl New York, NY 10003 |
Synopsis
Maybe you've had the idea brewing, but no one to help you put it on paper. The Playwrights Lab is a place where ideas flow, critique is encouraged and risks happen on a weekly basis. Students work with an established playwright in a creative atmosphere to overcome writer's block and set their demons loose.
The main focus of this workshop is to get our writers from an idea to a first draft in 30 days! Most playwriting workshops teach rules, do's and don't! At the beginning this can stifle or perhaps even destroy a writer.
Our workshop teaches "freedom" in writing! and "discipline" — the key to prolific playwriting. Our instructor's "3 a day" concept will keep the playwright writing even when the "muse" is nowhere in sight.
PAM 2011 Application
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Deadline: Friday, December 17, 2010
Dates:
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Synopsis
IATI Theater is now accepting applications for the 4th annual Festival “Performing Arts Marathon (PAM)” which will run for three weeks in July 2011 in the East Village, New York. Applications are accepted through December 17, 2010.
PAM is a festival that honors diversity and creativity in all performing art disciplines, as it gives talented new artists a chance to showcase their crafts. In selecting the participating productions, iati looks for contemporary pieces that go beyond telling a story – that stand on their own for uniqueness and talents, unafraid to experiment all possible and necessary artistic expressions to deliver that story.
Download the PAM 2011 Application
Viewpoints Workshop
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Creating for an ensemble Dates: January 15, 2011 - January 23, 2011 (Saturday & Sunday 11–5pm) Language: English, Spanish Location: 520 8th Avenue, 3rd Fl New York, NY 10018 |
Synopsis
In this workshop participants will explore the basics of Six Viewpoint training. All workshop members will practice and explore these elements with an emphasis on ensemble playing and creating new work.
Developed by choreographer Marie Overlie, this theatrical vocabulary consists of six viewpoints of time, space, shape, movement, emotion and story. Renowned theater director Anne Bogart adapted this approach to performance for actors.
Acting Workshop
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Dates: January 22, 2011 - April 9, 2011 (Saturday 10–2pm) Language: Spanish Location: 59-61 East 4th Street 4th Floor New York, NY 10003 (Between Bowery and 2nd Avenue) |
Synopsis
This workshop is based on the honesty of the actor through a training called "The actor and their circumstances," where the actor is not necessarily found in an acting technique. This workshop seeks to have the actor create, invent, rediscover and develop their own art from their own blocks, limitations and fears, not disguise it with a preconceived technical chops that meets their circumstances.
Directors Lab
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Dates: February 5, 2011 - June 18, 2011 (Saturday 11–1pm) Language: English, Spanish Location: 520 8th Avenue, 3rd Fl New York, NY 10018 |
Synopsis
Start the year by expanding your directing techniques. In this interactive workshop, participants will investigate the work of two contemporary directors 1) Ramon Griffero (Chile) and 2) Richard Schechener (USA) by learning the dynamic techniques they use to direct and create new work. This workshop will help directors to lead a collaborative creative process. We want your vision to become a reality.
Close Quarters Stage Combat
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Train with professionals in the field of stage combat and stunts Dates: February 5, 2011 - March 19, 2011 (Saturday 1–3pm) Language: English, Spanish |
Synopsis
The workshop is intended to train and develop the actor in the techniques, concepts and performance of Staged and Film violence. They will explore the movement and acting possibilities in close quarters unarmed combat, knives and firearms. The focus of the class will be on incorporation into the acting process, with an emphasis on safety, technical proficiency and martial logic. Students will film extended fight sequences at the end of the workshop for use in their reels.
Cuban Operator Please...
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Written by Adrian Rodríguez Directed by Arian Blanco Dates: February 10, 2011 - February 13, 2011 ( 8–9pm) Language: Bilingual (English and Spanish) with supertitles Location: 64 East 4th Street, New York, NY 10003 |
Synopsis
Written in a poetic blend of English and Spanish, the play's focus is on Abel, the US born son of Cuban parents as he waits in his apartment for the news of the impending death if his father, this memory play speaks volumes about the strange, particular plight of many Cubans who flee their country for the USA.
Cuban Operator Please... is presented by IATI Theater in association with The Hudson Exploited Theater Company.
Starring
A talented cast of bilingual actors of Cuban descent: Credits
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Written 40% in Spanish, performances are in English and Spanish with Spanish and English supertitles respectively.
February 10 – February 13
8pm Thursday to Saturday
3pm Saturday & Sunday
Regular Price $20
Students / Seniors $15
Tickets for Cuban Operator Please... may be purchased by following any of the links on this page. If you need assistance placing your order, call OvationTix customer service toll-free: 866-811-4111. Do not exit your Web browser. Customer service hours: 9am - 9pm M-F / 10am - 6pm Sat + Sun (Eastern Time).
Tango Teatro
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Intensive workshop Dates: February 12, 2011 - March 5, 2011 (Saturday 10–2pm) Language: English, Spanish Location: 239 West 14th Street at 8th Avenue 2nd Floor, New York, NY 10011 |
Synopsis
Through exercises in theatre, dance, and body techniques, this workshop intends to achieve spontaneity and improvisation on stage by developing different characters in tango and incorporate them into performance. The workshop will help actors and dancers recognize different dynamics of movement, rhythm, speed, level, use of space, choreography, interaction with couple (lead / follow), floor navigation and audience.
The Mad Journey of Wilhelmina Davis
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There are more things in heaven and earth, than are dreamt of in your philosophy. Written by Oscar A. Colón Directed by Martin Balmaceda Dates: February 20, 2011 ( 3–4:30pm) Language: English Location: 64 East 4th Street, New York, NY 10003 |
Synopsis
Cuban-American writer, Raul Cisneros, interviews Wilhelmina Davis, the elder sister of the late-iconic playwright, Leighton (Lee) Davis, and gets much more that he bargained for. He learns than Hamlet was right when he said, “There are more things in heaven and earth than are dreamt of in your philosophy.”
About the Playwright:Oscar A. Colon (Playwright, Librettist, Lyricist.) Some of his dramatic plays are: Short End of the Bridge, Soldiers of the 117th, Welcome to Margaret’s World, Siempre en mi Corazón, Reina, Alice Down the Hole, Becoming Bernarda (a prequel), La Reina’s Last Album, Fornicating with the Devil, Whisper, The Last of Bernarda (a sequel), Listenings: A Morning with Maria Irene Fornes, El Señor Presidente and his Biographer, The Mad Journey of Wilhelmina Davis.
Mr. Colon was commissioned by Max Ferra of INTAR to translate and adapt Rene Marques’ Maria o el Alba. His play, Siempre en mi Corazón was published by Mentor/Penguin, as part of the anthology Nuestro New York. The Last of Bernarda was published by El Archivo Nacional del Ateneo Puertorriqueño. Cast:
Miriam Cruz |
Reservations
We are pleased to present this Play Reading as a free event. However, please note that online reservations are APPRECIATED.
You may reserve seats for more than one person, but please be considerate and make a reservation only if everyone is able to attend, as space is limited. We appreciate your cooperation.
To make reservation, you may click the link that says Buy Tickets Now, and yet it is still a free event.
Movement for Actors
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Dates: February 22, 2011 - April 26, 2011 (Tuesday 6:30–8pm) Language: English, Spanish Location: 520 8th Avenue, 3rd Fl New York, NY 10018 |
Synopsis
For actors, the body is the ultimate tool for self-expression. However, its training and the exploration of its possibilities are often neglected as technique, and text-delivery takes up the majority of rehearsal time.
This workshop explores the essential components of movement and how they come together to build a refined, active performance, while providing specific tools to improve your scenic presence and expressive delivery as an actor.
You will learn acting exercises created to explore, train and refine the body as an expressive tool, improvisation techniques in solos, duos and trios using elements such as space, stillness, rhythm, sound, objects, and Feldenkrais Method "Awareness Through Movement" lessons designed to improve the use of your whole self in movement.
La Strada
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Written by Federico Fellini, Tullio Pinelli and Ennio Flaiano; Spanish adaptation by Gerard Vazquez Directed by Rene Buch and Jorge Merced Dates: February 23, 2011 - March 6, 2011 Language: Spanish with English Supertitles Location: 64 East 4th Street, New York, NY 10003 |
Synopsis
La Strada tells the story a fey and innocent young woman, Gelsomina (played in Fellini's classic by Giuletta Massina,) who is sold to a brutish man, Zampanó (played by Anthony Quinn in the film,) who works as a traveling showman. She joins him on the road as a part of his act, enduring physical and emotional pain along the way. Trouble erupts when the pair joins a traveling circus, where they meet a clown who secretly falls in love with the woman. What will happen when Zampanó realizes the clown's intentions towards Gelsomina? Will she stay with him, even if that means further enduring his maltreatments?
IATI Theater is co-producing this production with La Strada Company, a Spanish artistic organization whose goal is to build a cultural bridge between Spain and the US.
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Starring
Luis Carlos De la Lombana |
The play is performed in Spanish with English Supertitles.
February 23 – March 6, 2011
8pm Wednesdays to Saturdays
3pm Saturdays & Sundays
Regular Price $25
Students / Seniors $20
Avoid box office lines and/or sellouts - buy your tickets online and SAVE!
Regular $20.00
Students / Seniors $18
All Major Credit Cards Accepted
Sold-Out Performances:
February 23, 2011 @ 8pm
Tickets for La Strada may be purchased by following any of the links on this page. If you need assistance placing your order, call OvationTix customer service toll-free: 866-811-4111. Do not exit your Web browser. Customer service hours: 9am - 9pm M-F / 10am - 6pm Sat + Sun (Eastern Time).
Ruth and the Great Gust of Wind
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Written by Noelle Ghoussaini Dates: March 1, 2011 ( 7:30–9pm) Language: English Location: 64 East 4th Street, New York, NY 10003 |
Synopsis
Ruth and the Great Gust of Wind tells the story of Ruth Reynolds, a pacifist from South Dakota, who was deeply involved in the struggle for Puerto Rico’s independence from the United States for over four decades. Although Ruth devoted much of her life to the Puerto Rican struggle, her story was very much an American one. Her work was rooted in a profound understanding of the founding principals of her nation and an irrepressible urge to see those fulfilled. The play traces her years in prison in Arecibo, Puerto Rico in the early 1950s and the journey that led her there. We learn of her intimate relationship with the infamous Pedro Albizu Campos, the leader of the Puerto Rican Nationalist Party; her estrangement from her family and the many voices of the Puerto Rican independence movement that were silenced by deep rooted oppression on the part of the United States government.
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About the PlaywrightNoelle Ghoussaini is a playwright, director and arts educator. She received her undergraduate degree from Northwestern University in Performance Studies and French and her MA in Arts Politics from NYU. Over the past five years, she has worked for numerous non-profit arts organizations in Chicago and New York City, teaching theatre, dance, photography and playwriting. After completing her Masters in May, she traveled to Palestine where she taught dance at the Freedom Theatre in the Jenin Refugee Camp. Her third original play, Ruth and the Great Gust of Wind premiered at Les Manouches Theatre’s “Between the Seas” literary reading festival in October of 2010. In March of 2011, she will be directing a short excerpt of the play for the director’s weekend at Culture Project’s Women Center Stage. She has directed and assistant directed for numerous theatre companies throughout New York City and is currently directing Marjuan Canady’s one woman satirical show, Girls! Girls? Girls, which is on tour at colleges and cultural centers throughout the country. Starring
Jessica Shotwell |
Reservations
We are pleased to present this Play Reading as a free event. However, please note that online reservations are APPRECIATED.
You may reserve seats for more than one person, but please be considerate and make a reservation only if everyone is able to attend, as space is limited. We appreciate your cooperation.
To make reservation, you may click the link that says Buy Tickets Now, and yet it is still a free event.
Light of Night
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Written by Cecilia Copeland Directed by Padriac Lillis Dates: March 21, 2011 ( 7:30–9pm) Language: English Location: 64 East 4th Street, New York, NY 10003 |
Synopsis
"Light of Night" is Stephanie’s poetic descent into the dark underworld of marriage. Her charismatic husband and seductive best friend fight over who she should be. This Persephone inspired journey reflects our darkest natures. In the end, Stephanie must decide which windows and doors to leave open for light.
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About the Playwright:
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Reservations
We are pleased to present this Play Reading as a free event. However, please note that online reservations are APPRECIATED.
You may reserve seats for more than one person, but please be considerate and make a reservation only if everyone is able to attend, as space is limited. We appreciate your cooperation.
To make reservation, you may click the link that says Buy Tickets Now, and yet it is still a free event.
Vocal Training Workshop
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Dates: May 25, 2011 - June 29, 2011 (Wednesday 6:30–8:30pm) Language: English, Spanish, Hebrew Location: 520 8th Avenue, 3rd Fl New York, NY 10018 |
Synopsis
Singing is a way of discovering oneself, a dialog with our inner self and an experience of communicating with others. The voice can take us to a deep journey of sounds, qualities, styles and expressions. For this journey to be healthy, energetic, and artistic, we need an approach to the voice as an instrument; we need to learn from it and about it.
This workshop focuses on the development of the singing voice through body awareness, voice technique, and songs. During this process we'll work on collective singing, individual song interpretation, sound exploration and introduction to voice improvisation.
People Watching
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In memory of my dad… Written by Daniel Berlfein Directed by Martin Balmaceda Dates: June 14, 2011 ( 7:30–9pm) Language: English Location: 64 East 4th Street, New York, NY 10003 |
Synopsis
What does it take to let go of certain habits, and move on in life?
Why do people enjoy watching people?
Kurt is escaping from his past on a train. Next to him we find an unanimated “being”. Donald, the train conductor, does his job in a rather peculiar way. Through the encounter of these characters we learn about Kurt’s staggering past and present.
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About the PlaywrightDaniel has a Masters in Educational Theatre from New York University. He is also a playwright and a performer. He studied acting and playwriting both in Argentina and the US. Some of his teachers have been Norman Briski, Michael Dinwiddie, Tina Landau and David Perry. He has designed and led workshops throughout the US and Latin America (Argentina, México, Guatemala, Honduras and El Salvador). For the last two years he has worked as a playwright and educator in residence at a rural theatre in El Salvador (Tiempos Nuevos Teatro). Mr. Berlfein was an artist in residence at New York University, City University of New York, and Young Playwrights Inc. In addition to this, he has been implementing playwriting and educational theatre techniques in New York City and New Jersey’s public schools since 1994. In 2005, his play “I’m With Mauricio” was selected for INTAR’s New Works Festival in New York City. He currently lives in Buenos Aires, Argentina where he teaches drama and writes plays. |
Reservations
We are pleased to present this Play Reading as a free event. However, please note that online reservations are APPRECIATED.
You may reserve seats for more than one person, but please be considerate and make a reservation only if everyone is able to attend, as space is limited. We appreciate your cooperation.
To make reservation, you may click here or the link that says Buy Tickets Now, and yet it is still a free event.
The Hopefulness
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“La Esperanza” Written by Raquel Almazan Directed by Elise Hernandez Dates: June 22, 2011 ( 7:30–9pm) Language: English Location: 64 East 4th Street, New York, NY 10003 |
Synopsis
Two Sister prostitutes Anna and Jacqueline, trapped in a box on a ship leaving the Dominican Republic make their way to France to achieve their dreams of prosperity. Ana and Jacqueline's dangerous journey reveals secrets of their past, where their clients, father, lovers and mother's role become intertwined. Their violent escape prompts a challenging fight for identity and survival in the immigrant struggle to conquer the Old World.
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About the Playwright:Raquel Almazán: B.F.A. in Theatre from U of F and is a graduate of New World School Arts Conservatory -writer, director, actor and dramaturge. Play La Paloma Prisoner participated in workshops with La Mama ETC, INTAR and Labyrinth Theatre Company. Plays as writer/performer are Glossy Page Pimps (directed by Michael Garces) commissioned by Miami Light Project workshop reading. Death of the Doll, the film (Boyle Heights Latina Independent Film Extravaganza in L.A.) and Naked Angels Theatre Reading Series. Solo show She Wolves: Women in Sex, Death and Rebirth, NYC Fringe Festival, P.S.122. Junkyard Food starring Terrell McCraney, was produced Louis O’Gerrits Theatre; Margaret in the multi-media production of Ur-Faust that toured to Hyterio Theatre in Athens, Greece. TV acting credits Law & Order SVU, White Collar and PAN AM Pilot. Grants from The Ford Foundation, Manhattan Community Fund, and The Artist Access Grant. Member of SAG, AFTRA and the Dramatist Guild. www.raquelalmazan.com Actors:
Ana Noguiera Photo byAdam Mansell |
Reservations:
We are pleased to present this Play Reading as a free event. However, please note that online reservations are APPRECIATED.
You may reserve seats for more than one person, but please be considerate and make a reservation only if everyone is able to attend, as space is limited. We appreciate your cooperation.
To make reservation, you may click here or the link that says Buy Tickets Now, and yet it is still a free event.
From a Wounded Heart: Dzul Dance
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DANCE
Dates:
Location: 55 Lexington Ave (Enter on East 25th between Lex. and 3rd) NYC 10010 |
Synopsis
DANCE (Dance/Aerial with Live Music)
A heart-wrenching and emotionally infused series of vignettes that celebrates the unwavering search for unrequited love despite all of love’s trials and tribulations. Poignant beauty and betrayal come together in the captivating series of boleros, waltzes and fantastic aerialist movement. The piece is dramatic, emotional, and romantic with live music by renowned Columbian singer Lucia Pulido.
Created by Dzul Dance Company (www.dzuldance.com)
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Credits:
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Ticket Prices:
Regular $25
Students / Seniors $20
Avoid box office lines and/or sellouts - buy your tickets online and SAVE!
Regular $20.00
Students / Seniors $18
All Major Credit Cards Accepted
Package Deals:
Buy a PAM Package Deal and see more shows at an affordable price
| Package Deals | Prices | Savings |
| 3 show PAM package | $54.00 | $6.00 |
| 4 show PAM package | $70.00 | $10.00 |
| 5 show PAM package | $80.00 | $20.00 |
If you need assistance placing your order, call OvationTix customer service toll-free: 866-811-4111.
Do not exit your Web browser.
Customer service hours: 9am - 9pm M-F / 10am - 6pm Sat + Sun (Eastern Time)
Look Who's in thá Army Now!
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THEATER Written by Lorenzo Parro Directed by Mike Rosales & Lorenzo Parro
Dates:
Language: English Location: 55 Lexington Ave (Enter on East 25th between Lex. and 3rd) NYC 10010 |
Synopsis
THEATER (Contemporary Absurd)
Two soldiers on duty (one Caucasian and the other Latino) are forced to share and defend ideals that were never part of their daily lives. Powerful political absurdity at its best.
Credits:
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Ticket Prices:
Regular $25
Students / Seniors $20
Avoid box office lines and/or sellouts - buy your tickets online and SAVE!
Regular $20.00
Students / Seniors $18
All Major Credit Cards Accepted
Package Deals:
Buy a PAM Package Deal and see more shows at an affordable price
| Package Deals | Prices | Savings |
| 3 show PAM package | $54.00 | $6.00 |
| 4 show PAM package | $70.00 | $10.00 |
| 5 show PAM package | $80.00 | $20.00 |
If you need assistance placing your order, call OvationTix customer service toll-free: 866-811-4111.
Do not exit your Web browser.
Customer service hours: 9am - 9pm M-F / 10am - 6pm Sat + Sun (Eastern Time)
Más que un foreclosure
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THEATER Written by Tere Martínez Directed by Arian Blanco
Dates:
Language: Bilingual (English and Spanish) Location: 55 Lexington Ave (Enter on East 25th between Lex. and 3rd) NYC 10010 |
Synopsis
THEATER (Contemporary Drama)
Minimal and bilingual, this one-act show offers a portrait of consumerism. Representing exploiters, the exploited and the comfortably well off, connected by the same vicious emptiness, three women confront human nature during the darkest time of the year.
Photos by: Amarachi Esowe |
Ticket Prices:
Regular $25
Students / Seniors $20
Avoid box office lines and/or sellouts - buy your tickets online and SAVE!
Regular $20.00
Students / Seniors $18
All Major Credit Cards Accepted
Buy a PAM Package Deal and see more shows at an affordable price
| Package Deals | Prices | Savings |
| 3 show PAM package | $54.00 | $6.00 |
| 4 show PAM package | $70.00 | $10.00 |
| 5 show PAM package | $80.00 | $20.00 |
If you need assistance placing your order, call OvationTix customer service toll-free: 866-811-4111.
Do not exit your Web browser.
Customer service hours: 9am - 9pm M-F / 10am - 6pm Sat + Sun (Eastern Time)
Dance Jewels from Lucknow: India's City of Dreams
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DANCE
Dates:
Location: 55 Lexington Ave (Enter on East 25th between Lex. and 3rd) NYC 10010 |
Synopsis
DANCE (Indian Dance)
The Kathak Ensemble & Friends showcase Kathak, the classical dance style from the fabled north Indian city Lucknow. The unique mixture of Hindu and Islamic cultural influences in Lucknow’s courts and drawing rooms forged brilliant pure dance techniques and expressive storytelling mime. A selection of traditional dances from the repertoire concludes in a show-stopping finale, which displays the glory of Lucknow-style Kathak.
Credits:
Photos by: Julie Lemberger |
Ticket Prices:
Regular $25
Students / Seniors $20
Avoid box office lines and/or sellouts - buy your tickets online and SAVE!
Regular $20.00
Students / Seniors $18
All Major Credit Cards Accepted
Package Deals:
Buy a PAM Package Deal and see more shows at an affordable price
| Package Deals | Prices | Savings |
| 3 show PAM package | $54.00 | $6.00 |
| 4 show PAM package | $70.00 | $10.00 |
| 5 show PAM package | $80.00 | $20.00 |
If you need assistance placing your order, call OvationTix customer service toll-free: 866-811-4111.
Do not exit your Web browser.
Customer service hours: 9am - 9pm M-F / 10am - 6pm Sat + Sun (Eastern Time)
Todas Las Sangres: Peru, One Country Many Nations
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MUSIC
Dates:
Location: 55 Lexington Ave (Enter on East 25th between Lex. and 3rd) NYC 10010 |
Synopsis
MUSIC (Contemporary and Traditional Peruvian)
This Peruvian ensemble is the result of a collaborative process between composer Carlos D. Bernales and soprano and anthropologist Sylvia Falcón. Inspired by indigenous people and novelist Jose Maria Arguedas’ masterpiece ‘Todas las Sangres’ (translated as ‘All Bloods’), the concert features poetry in Quechan and Amazonian set to original compositions.
Credits:
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Ticket Prices:
Regular $25
Students / Seniors $20
Avoid box office lines and/or sellouts - buy your tickets online and SAVE!
Regular $20.00
Students / Seniors $18
All Major Credit Cards Accepted
Package Deals:
Buy a PAM Package Deal and see more shows at an affordable price
| Package Deals | Prices | Savings |
| 3 show PAM package | $54.00 | $6.00 |
| 4 show PAM package | $70.00 | $10.00 |
| 5 show PAM package | $80.00 | $20.00 |
If you need assistance placing your order, call OvationTix customer service toll-free: 866-811-4111.
Do not exit your Web browser.
Customer service hours: 9am - 9pm M-F / 10am - 6pm Sat + Sun (Eastern Time)
Sounding Word
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MUSIC
Dates:
Location: 55 Lexington Ave (Enter on East 25th between Lex. and 3rd) NYC 10010 |
Synopsis
MUSIC (Contemporary Jazz & Avant-Folk / Double Play-Bill)
Timeless musical storytelling of original compositions with voice, instruments, electronics & visuals.
Present, Past and Future Sees
Composition, Film and Concept by Sasha Bogdanowitsch
This is an original solo multi-media work for voice, original instruments and electronics that explores the ancient vocal and instrument relationship of the bard through contemporary ears.
River of Painted Birds
Composition & Concept by Sabrina Lastman
Texts by Edda Fabbri, Mauricio Resencof, Henry Engler and Adolfo Wasem.
This is a music performance created for solo voice, walkmans, electronics and video, combining composed sections and free improvisation. This piece is inspired by the poetry/ texts of ex-political prisoners that created their work as a consequence of the repression during/after the dictatorship in Uruguay.
| Photos by: Lori Baily and Ixa Faolan |
Ticket Prices:
Regular Price $25
Students / Seniors $20
Avoid box office lines and/or sellouts - buy your tickets online and SAVE!
Regular $20.00
Students / Seniors $18
All Major Credit Cards Accepted
Buy a PAM Package Deal and see more shows at an affordable price
| Package Deals | Prices | Savings |
| 3 show PAM package | $54.00 | $6.00 |
| 4 show PAM package | $70.00 | $10.00 |
| 5 show PAM package | $80.00 | $20.00 |
If you need assistance placing your order, call OvationTix customer service toll-free: 866-811-4111.
Do not exit your Web browser.
Customer service hours: 9am - 9pm M-F / 10am - 6pm Sat + Sun (Eastern Time)
Eric Alabaster’s Loco Love Band
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MUSIC
Dates:
Location: 55 Lexington Ave (Enter on East 25th between Lex. and 3rd) NYC 10010 |
Synopsis
MUSIC (Jazz)
Venture beyond the boundaries of world jazz fusion with Eric and Paghel. Sitar, trumpet and vocals evoke dreamy, bluesy melodies with exotic influences. Purely improvised solos make each performance a unique creation. Featuring trumpet great Duane Eubanks and the lovely
vocals of Elena Camerin.
Credits:
Photos by: Kathy Levine |
Ticket Prices:
Regular $25
Students / Seniors $20
Avoid box office lines and/or sellouts - buy your tickets online and SAVE!
Regular $20.00
Students / Seniors $18
All Major Credit Cards Accepted
Buy a PAM Package Deal and see more shows at an affordable price
| Package Deals | Prices | Savings |
| 3 show PAM package | $54.00 | $6.00 |
| 4 show PAM package | $70.00 | $10.00 |
| 5 show PAM package | $80.00 | $20.00 |
If you need assistance placing your order, call OvationTix customer service toll-free: 866-811-4111.
Do not exit your Web browser.
Customer service hours: 9am - 9pm M-F / 10am - 6pm Sat + Sun (Eastern Time)
Eva
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THEATER Written by Lupe Gehrenbeck Directed by Lupe Gehrenbeck
Dates:
Language: Spanish with English Supertitles Location: 64 East 4th Street, New York, NY 10003 |
Synopsis
THEATER (One-Woman Show)
In the bohemian nature of society’s margins Eva, an idealistic urban nomad and outcast questions traditional sacred laws. Her rhetorical outcry is a refusal to accept the status-quo! She is the conscience of our divine primal nature, the wise fool through which we can laugh at ourselves and encourages love above all else.
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Ticket Prices:
Regular $25
Students / Seniors $20
Avoid box office lines and/or sellouts - buy your tickets online and SAVE!
Regular $20.00
Students / Seniors $18
All Major Credit Cards Accepted
Buy a PAM Package Deal and see more shows at an affordable price
| Package Deals: | Prices | Savings |
| 3 show PAM package | $54.00 | $6.00 |
| 4 show PAM package | $70.00 | $10.00 |
| 5 show PAM package | $80.00 | $20.00 |
If you need assistance placing your order, call OvationTix customer service toll-free: 866-811-4111.
Do not exit your Web browser.
Customer service hours: 9am - 9pm M-F / 10am - 6pm Sat + Sun (Eastern Time)
The Latin Choreographers Festival
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DANCE
Dates:
Location: 55 Lexington Ave (Enter on East 25th between Lex. and 3rd) NYC 10010 |
Synopsis
Powerful and innovative, this production showcases an array of original works by established and emerging Latin choreographers from New York City and abroad. Contemporary ballet, modern dance and contemporary concert dance pieces cross genres and cultural boundaries.
Photos by: Rachel Neville |
Ticket Prices:
Regular $25
Students / Seniors $20
Avoid box office lines and/or sellouts - buy your tickets online and SAVE!
Regular $20.00
Students / Seniors $18
All Major Credit Cards Accepted
Package Deals:
Buy a PAM Package Deal and see more shows at an affordable price
| Package Deals | Prices | Savings |
| 3 show PAM package | $54.00 | $6.00 |
| 4 show PAM package | $70.00 | $10.00 |
| 5 show PAM package | $80.00 | $20.00 |
If you need assistance placing your order, call OvationTix customer service toll-free: 866-811-4111.
Do not exit your Web browser.
Customer service hours: 9am - 9pm M-F / 10am - 6pm Sat + Sun (Eastern Time)
La Cena (The Dinner)
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THEATER Written by Giuseppe Manfridi Directed by Raúl Durán
Dates:
Language: Spanish Location: 64 East 4th Street, New York, NY 10003 |
Synopsis
THEATER (Contemporary Drama)
Intimacy and suspense drive this pulsating drama in which the audience shares the stage during a family dinner. An estranged daughter introduces her fiancé to her father as they confront an uninvited guest: The Past. Fangio the servant pours wine for everybody.
Credits:
Photos by: Danny Foxx |
Ticket Prices:
Regular $25
Students / Seniors $20
Avoid box office lines and/or sellouts - buy your tickets online and SAVE!
Regular $20.00
Students / Seniors $18
All Major Credit Cards Accepted
Package Deals:
Buy a PAM Package Deal and see more shows at an affordable price
| Package Deals | Prices | Savings |
| 3 show PAM package | $54.00 | $6.00 |
| 4 show PAM package | $70.00 | $10.00 |
| 5 show PAM package | $80.00 | $20.00 |
If you need assistance placing your order, call OvationTix customer service toll-free: 866-811-4111.
Do not exit your Web browser.
Customer service hours: 9am - 9pm M-F / 10am - 6pm Sat + Sun (Eastern Time)
Girls! Girls? Girls.
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THEATER Written by Marjuan Canady Directed by Noelle Ghoussaini
Dates:
Language: English Location: 64 East 4th Street, New York, NY 10003 |
Synopsis
THEATER (One Woman-Show)
Absurd yet conceivable, Marjuan Canady’s multiple personalities mock contemporary media and fame while facing devaluation, racism, sexism, homophobia, poverty and violence. Introducing Rapper 40 Ounce and his search to discover a new starlet for his music video “Pussy Rims.”
For additional information about the artist, please visit www.marjuancanady.com
Credits:
Photos by: Ariana Allensworth |
Ticket Prices:
Regular $25
Students / Seniors $20
Avoid box office lines and/or sellouts - buy your tickets online and SAVE!
Regular $20.00
Students / Seniors $18
All Major Credit Cards Accepted
Package Deals:
Buy a PAM Package Deal and see more shows at an affordable price
| Package Deals | Prices | Savings |
| 3 show PAM package | $54.00 | $6.00 |
| 4 show PAM package | $70.00 | $10.00 |
| 5 show PAM package | $80.00 | $20.00 |
If you need assistance placing your order, call OvationTix customer service toll-free: 866-811-4111.
Do not exit your Web browser.
Customer service hours: 9am - 9pm M-F / 10am - 6pm Sat + Sun (Eastern Time)
El Inmigrante
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DANCE
Dates:
Location: 64 East 4th Street, New York, NY 10003 |
Synopsis
DANCE (Flamenco Dance)
This metamorphic story of immigration plays with shifting atmospheres and our own senses through non-traditional flamenco. Beautiful juxtaposition of alienation and discovery is achieved with unorthodox instruments, traveling musicians and the personal story of dancer Sol Koeraus.
Credits:
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Ticket Prices:
Regular $25
Students / Seniors $20
Avoid box office lines and/or sellouts - buy your tickets online and SAVE!
Regular $20.00
Students / Seniors $18
All Major Credit Cards Accepted
Package Deals:
Buy a PAM Package Deal and see more shows at an affordable price
| Package Deals | Prices | Savings |
| 3 show PAM package | $54.00 | $6.00 |
| 4 show PAM package | $70.00 | $10.00 |
| 5 show PAM package | $80.00 | $20.00 |
If you need assistance placing your order, call OvationTix customer service toll-free: 866-811-4111.
Do not exit your Web browser.
Customer service hours: 9am - 9pm M-F / 10am - 6pm Sat + Sun (Eastern Time)
EL MANDATARIO IDIOTA (The Idiot Ruler)
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THIS SHOW IS CANCELLED Written by Walter Ventosilla Directed by Walter Ventosilla
Dates:
Language: Spanish with English Supertitles Location: 64 East 4th Street |
Synopsis
The sun rises-and with it the whims of a totalitarian ruler. When Jeremias, a butler, enters the chamber of the world's leader, the routine of servitude and power begins as it has every morning for time immemorial. A parchment holds all the instructions to be followed by the loyal Jeremias, but as the omnipotent ruler creates laws to suit his every wish, his once perfectly established throne is threatened.
What will the night that he hates bring? What happens when the servant sees the moon swallow the sun? What happens when the master cannot control the night shadows' defeat over the day's light?
Immersed in poetry and the absurd, "El Mandatario Idiota" paints a bleak yet comical picture of power and those who serve it--an intellectual exploration of philosophies that have transcended all historical eras.
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Starring
Vivian Deangelo Light DesignerMiguel Valderrama Set DesignerYanko Bakulic Costume DesignerChristina Giannini Assistant Director & Stage ManagerAna Noriega |
Ticket Prices:
Regular $25
Students / Seniors $20
Avoid box office lines and/or sellouts - buy your tickets online and SAVE!
Regular $20.00
Students / Seniors $18
All Major Credit Cards Accepted
If you need assistance placing your order, call OvationTix customer service toll-free: 866-811-4111 .
Do not exit your Web browser.
Customer service hours: 9am - 9pm M-F / 10am - 6pm Sat + Sun (Eastern Time)
IATI Theater and its production of El Mandatario Idiota is a proud participant in the 6th Annual Latin American Cultural Week, produced by PAMAR
Vocal Training Workshop: Mastering Vocal Performance
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Dates: October 22, 2011 - March 31, 2012 (Saturday 2:30–5pm) Language: English | Spanish Location: 520 8th Avenue, 3rd Floor, New York, NY 10018 |
Synopsis
Your body is utterly aware... Anxiety is at a minimum...
The stage below you is absolutely synced with the piece you are about to sing...
Ever felt just like that before a vocal performance?
Have you, but want to master all the techniques that will assure you will always feel as prepared?
Then this is the perfect workshop for you.
Enhance your performance skills to your best potential as a solo singer as well as an ensemble vocalist. From October to March, you will work on the development of your singing voice through body awareness—applying the Feldenkrais Method—and voice techniques from the worlds of classical, jazz and contemporary music. Aural awareness will be improved through ear exercises, and ensemble singing. Techniques for performance practice and dealing with performance anxiety will be addressed. During this process you will work on individual song interpretation/presentation, ensemble singing, and voice improvisation. The workshop will be divided in two periods of 8 weeks (a total of 40 hours).
• Open to people with a background in singing.
• To be able to participate in the final concert, students have to do Workshop Part I & Part II.
• As a finalization of the workshop there will be an open concert in April 2012, and we will be rehearsing with an accompanist musician during Workshop Part II.
Workshop Meets:
Saturdays, 2:30 to 5pm (total of 40 hours)
| PART I | PART II |
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Week 1 - Oct 22 Week 2 - Oct 29 Week 3 - Nov 5 Week 4 - Nov 12 Week 5 - Nov 26 Week 6 - Dec 3 Week 7 - Dec 10 Week 8 - Dec 17 |
Week 9 - Jan 28 Week 10 - Feb 4 Week 11 - Feb 11 Week 12 - Feb 18 Week 13 - March 3 Week 14 - March 17 Week 15 - March 24 Week 16 - March 31 |
RECURSOS HUMANOS (Human Resources)
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Written by Andrés Correa Guatarasma Directed by Julián J. Mesri
Dates:
Language: Spanish Location: 64 East 4th Street, NY NY 10003 |
Synopsis
In an unspecified metropolis, two colleagues of an engineering company face a crisis over the kidnapping of one of their employees. As details of the case emerge, under insurmountable pressure both executives begin to question their professional and personal ethic, their trust of one another, and even the future of their partnership.
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About the Playwright:
Andrés Correa Guatarasma Actors:
Beatriz Córdoba |
We are pleased to present this Play Reading as a free event. However, please note that online reservations are APPRECIATED. You may reserve seats for more than one person, but please be considerate and make a reservation only if everyone is able to attend, as space is limited. We appreciate your cooperation.
To make reservation, you may click here or the link that says Buy Tickets Now, and yet it is still a free event.
NO LO MATES (Don't Kill It)
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At the end of days, the last two survivors roam the world with one purpose: to survive, but what if to survive means to kill? Written by Marisol Rozo Directed by Marisol Rozo
Dates:
Language: Spanish with English Supertitles Location: 64 East 4th Street |
Synopsis
At the end of days, the last two survivors roam the world with one purpose: to survive. One is delicate and the other is robust. One says “kill!” and the other says “do not!” One believes in the consequence of actions and in having a pure conscience, the other values the dignity of life above all else—even if it means death.
But can conscience and beliefs be constant when starvation is the only reality? Can robust always stay robust and delicate always delicate? Or can hunger change our very sense of humanity and murder?
“No Lo Mates,” is a poetic and absurdist study on the desperation of survival and killing.
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Starring
Loren Escandon
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No Lo Mates
Is a co-production between
IATI Theater and Dragones en el Andamio
Ticket Prices:
Regular $25
Students / Seniors $20
Avoid box office lines and/or sellouts - buy your tickets online and SAVE!
Regular $20.00
Students / Seniors $18
All Major Credit Cards Accepted
If you need assistance placing your order, call OvationTix customer service toll-free: 866-811-4111 .
Do not exit your Web browser.
Customer service hours: 9am - 9pm M-F / 10am - 6pm Sat + Sun (Eastern Time)
BENDING JESUS
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A spliff for the stage Written by Liche Ariza Directed by Arian Blanco
Dates:
Language: English Location: 64 East 4th Street, New York, NY 10003 |
Synopsis
In a mission to observe modern human society to decide whether it is ready for the truth or not, Jesus is compelled to travel forth to the year 2003 for a total of 27 days to convince the U.S. government to declassify the Pandora files. The objective, to unite all beliefs and eliminate organized religion forever, but the modern world is too selfish and time is running out. With him, Judas Iscariot comes along to manage the finances of the journey and serve Jesus in any way he commands; bound to him, for the fact that Jesus’ failure would also bring about his demise as well. But in the end, will the human condition prevail or will the divine condition finally reach the human race?
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About the Playwright:Liche Ariza trained for drama at The Lee Strasberg Theatre Institute (NYC). He has worked in various independent films including Proclaiming Macbeth, Entomophilia, The Bill, Miguel Angel Jesus, City Hall, Rooftop & recently in the feature Tropico de Sangre (Rains of Injustice) currently airing on HBO. He has also appeared in the comedy web series "slapHappy". In NY Theatre he was seen in LAByrinth Theatre Company's TENN99 marathon acting alongside Eli Wallach, Michael Kelly, Laila Robins, Bobby Cannavale and Russell G. Jones among others. He performed Michael Locascio's "Corner of a Morning" set on an air mattress on the asphalt of east 9th street as part of PWP's East Village Fragments. Liche's been in the NY theatre scene since 1998 performing in plays by Jose Rivera, Israel Horovitz, Joan Tewkesbury, A.B. Lugo, Tom O'Neil, Phil Hopper and the 52nd St. Project. He did two tours with playwright Adrian Rodriguez and director Arian Blanco in the 2002-03 NY International Fringe Festival. For his work in Leopoldo Hernandez' MARTINEZ he won a 2005 HOLA Award, also directed by Blanco. BENDING JESUS is Liche's first play. He has written the screenplay DO NOT HOLD DOORS and the book ON THE ROLLERCOASTER which will be available thru Amazon-Kindle in late October 2011. He dedicates BENDING JESUS to the memory of Moreno Beras-Goico, Giordano Medrano, Victor Hernandez SJ, Joe Wortman, Lucy Gordon and Corina Abad. Cast:
Liche Ariza |
We are pleased to present this Play Reading as a free event. However, please note that online reservations are APPRECIATED. You may reserve seats for more than one person, but please be considerate and make a reservation only if everyone is able to attend, as space is limited. We appreciate your cooperation.
To make reservation, you may click here or the link that says Buy Tickets Now, and yet it is still a free event.
NEW YORK MADNESS
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Dates:
Language: English Location: 64 East 4th Street, NY NY 10003 |
Synopsis
New York Madness is a raw and unpredictable show of short plays by an ensemble of emerging playwrights. Each night has a Theme which is decided on by the Guest Artistic Producing Playwright. The Theme is given out a week before the event and then the collective works by all the writers in an evening kaleidoscope that cultural moment. It is a snapshot of a particular time, reflected in an immediate way, from our unique perspective. Not only is Madness for emerging writers to have the opportunity to develop a strong relationship with a live audience, but it is a forum for all writers to explore the boundaries of modern theater.
The primary goal of Madness is the development of modern American playwriting, within a structured exploration, advancing the mode of storytelling in theater for the writers who are at the bottom of the totem pole. We get by with a little help from our friends, as our Guest Artistic Producing Playwrights lend their time and talent to support our mission.
New York Madness is affiliated with The Unit, Minneapolis Madness at the Playwrights Center.
About the Playwrights:
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We are pleased to present this Play Reading as a free event. However, please note that online reservations are APPRECIATED. You may reserve seats for more than one person, but please be considerate and make a reservation only if everyone is able to attend, as space is limited. We appreciate your cooperation.
To make reservation, you may click here or the link that says Buy Tickets Now, and yet it is still a free event.
Acting Workshop: From Acting to Becoming
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The actor’s craft is not to act, it is to become. Dates: January 14, 2012 - June 23, 2012 (Saturday 10–1pm) Language: Spanish Location: ART/NY (520 8th Avenue, 3rd Floor, New York, NY 10018) |
Synopsis
The actor's craft is not to act, it is to become.
Are you willing to become? Then…
Leave the actor behind and embrace the character and its world.
Workshop Learning Objectives
• Application of the original method Actor’s Conscious Unconscious for the preparation or rehearsal of the actor¬.
• The ultimate objective of the work in the actors’ preparation is to establish four connections. These four connections must be evident in the scene presentation of the final showcase that will take place at the end of the second term. The connections are:
1. First connection: with the self.
2. Second connection: with the ensemble, through collective interrelation.
3. Third connection: mental and spiritual contact with our origins.
4. Fourth connection: with the audience on the day of the scene presentation.
The workshop will consist of the above basic stages in the process of the actors’ universe, all stemming from the methodology Actor’s Conscious Unconscious. It will then be divided in 2 terms. Although enrolling in both parts of the workshops is not obligatory, the instructor has designed the workshops to be taken consecutively in order to maximize growth as an actor. Also, to enroll only in Workshop Part II, an interview and audition might be requested to ensure the level of the applicant is appropriate.
Workshop Part I: THE ACTOR’S PREPARATION |
Workshop Part II : THE ATMOSPHERE OF INTERPRETATION |
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A. Discovery of creativity
B. The actor’s preparation |
A. The actor and his circumstances
B. The inner professor (the actor’s unconscious) |
Workshop PART I Meets:
Saturdays, 10:00am to 1:00pm (total of 30 hours) |
Workshop PART II Meets:
Saturdays, 10:00am to 1:00pm (total of 30 hours) |
Playwriting Workshop: The Bilingual Playwright
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“Take fear out of the equation and you can accomplish wonders.” Dates: January 14, 2012 - June 23, 2012 (Saturday 4–7pm) Language: English, Spanish Location: 59-61 East 4th Street, 2nd Floor, New York, NY 10003 |
Synopsis
Inspiration is an illusive muse, it cannot be wooed it must be chased, hunted.
All masterpieces were written for the sake of writing...
Ready to write yours...? A first draft perhaps...
THE IATI PLAYWRIGHTS WORKSHOP objective is to prepare and launch a fearless corps of Hispanic Playwrights primed and ready to secure our place at the so-called “American Theatrical-Table.” This workshop centers around the members fearlessly attacking the “work.” Playwrighting rules are placed on the shelf and “Discovery” is paramount. The workshop member will create new work from scratch using the “3 A DAY METHOD,” a work system, that ensures the completion of a first draft in 30 days.
This workshop will be divided in two stages, Playwriting I: Discovery and Playwriting II: To Final Draft. Although enrolling in both parts of the workshops is not obligatory, the instructor has designed the workshops to be taken consecutively in order to maximize growth as a playwright. To enroll only in Playwriting II, a script sample of 15 pages must be submitted to ensure the playwright is at the adequate level.
Playwriting I: DISCOVERY |
Playwriting II: TO FINAL DRAFT |
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In the first ten weeks, the insistence in turning in a minimum amount of pages every week will be paramount. This material created in the first stage will make up the foundations that will develop into the intuitively written first draft. |
The second set of ten weeks will begin by reestablishing the “Discovery” writing process and the writing schedule. Playwrighting II will explore the revision and expansion of the script completed previously. Here all creative energy will be devoted to rewriting scenes and/or writing new scenes and acts in order to craft a full-length play. |
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By the end of Playwriting I, all playwrights will have completed a play. |
Each playwright’s completed final work will then be presented in the final showcase in concert readings |
Playwriting I: DISCOVERY Meets:
Saturdays, 04:00pm to 07:00pm (total of 30 hours) |
Playwriting II: TO FINAL DRAFT Meets:
Saturdays, 04:00am to 07:00pm (total of 30 hours) |
Tango Workshop
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10-11am classes for beginners; 11am-noon advanced classes Dates: January 21, 2012 - June 30, 2012 (Saturday 10–12pm) Language: English, Spanish Location: Central Library in Brooklyn, Grand Army Plaza |
Synopsis
Come and join us for free tango lessons. Learn to dance the authentic Tango, the original stereotypes where the macho man passionately embraces the self-conciously sexy woman.
This touring workshop is part of IATI's Triple Play Tour Program.
Directing Workshop: Direct New Experiments
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To direct is to create, to create is to experiment, to experiment is to innovate. Dates: January 28, 2012 - June 23, 2012 (Saturday 11–1pm) Language: English, Spanish Location: ART/NY (520 8th Avenue, 3rd Floor, New York, NY 10018) |
Synopsis
To direct is to create, to create is to experiment, to experiment is to innovate.
If your purpose is to direct art for stage...
Explore the creative power of directing and exploit its every iota.
Workshop Learning Objectives
1. To experiment—that is to say, investigate, and gain access into new spontaneous ideas. To explore and gain a more conscious relationship to non-traditional forms of making theater.
2. We will be continually trying to figure out what we want to express, generating this impulse out of a personal context, and then investigating/exploring the form that you feel you need to use to say what is important to you.
3. Our goal is to investigate and explore ways in which to genuinely investigate and give theatrical expression to our personal, interior lives, and then to continually strive to examine how, why, and the most effect manner to communicate our theatrical experiments to an audience.
4. To create a safe and rigorous environment, to learn to give concise, constructive feedback, to exchange ideas, and generate the strongest work we are capable of.
Directing - Part I |
Directing - Part II |
| This workshop focuses on directing experimental theater. It will explore into different theater forms that extend to time, space, language, character and dramatic structure. It will also include a one onstage presentation. | Part two of the workshop will form an ensemble where the creative process and crossover of disciplines and forms and styles will be explored as a group by creating an interdisciplinary collaboration in order to create new work with a final presentation of a performance piece. |
Workshop PART I Meets:
Saturdays, 11:00am to 1:00pm (total of 20 hours) |
Workshop PART II Meets:
Saturdays, 11:00am to 1:00pm (total of 20 hours) |
PAKITA: STIMULATING, BITTER AND NECESSARY
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A psychological thriller Written by Ernesto Caballero Directed by Roberto Corte
Dates:
Language: English with two perfs in Spanish (See below) Location: Clemente Soto Velez Ctr || 107 Suffolk Street New York, NY 10002 (Rivington-Delancey) |
Synopsis
Abandoned by the man she had fallen so desperately in love with, the brokenhearted Pakita finally finds the courage to join a lonely hearts group and share her story, but the tale that unfolds is not as innocent as it first appears. From broken hearted lover to fragile psychiatric patient, award-winning Spanish playwright Ernesto Caballero paints a picture of love, addiction and peculiar obsession, before unveiling an audacious final act in which life imitates art in the most tragic way...
Winner of a prestigious National Theatre Award (PREMIO MAX) for Mr. Ibrahim and the Flowers of the Koran in 2006 , Ernesto Caballero has enjoyed significant success in Edinburgh and around the world with Pakita. Now the play finally reaches the New York stage with acclaimed Spanish actress Patricia Rodriguez as the heart-broken woman with a dark history and a passion for espresso...
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StarringPatricia Rodríguez
Greenwich Theatre UK, Little Soldier Productions, |
| "An intriguing, emotional play featuring a compelling, outstanding performance" | "Rodriguez creates a wonderfully layered and enormously watchable character" | "An intense character study, Rodriguez's conviction and the power of her despairing delivery makes it compelling" | "A magnificent performance, leading us to the unstable and addictive personality of Pakita" |
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~ Three Weeks, Scotland |
~ The Edinburgh Guide, Scotland | ~ The Scotsman, Scotland | ~ La Nueva Espana, Spain |
Only Two Performances in Spanish
2/24 @8pm
2/25 @8pm
Ticket Prices:
Regular $20
Student $15
Senior $12
| Pakita: Stimulating, Bitter and Necessary is sponsored in part by |
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UNA VIDA DE CALIDAD
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A Surreal Comedy Written in English Written by Jaime Robert Carrillo Directed by Lou Moreno
Dates:
Language: English Location: Gershwin Hotel: 7 East 27th Street | New York, NY 10016 |
Synopsis
A mysterious freak phenomenon connects four unhappy souls, causing them to hear one another's thoughts. A paranoid Mexican police chief, an out of work comedian with one foot, a woman who yearns to be a man, and a lovelorn girl brooding in her bathtub find themselves at the mercy of each other's neuroses. Can they be healed by the mysterious bond that they now find themselves inescapably in, or will they finally accept their grim fates?
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About the Playwright:Jaime Robert Carrillo The Classical Theatre of Harlem selected Jaime's play SIMPLE as part of their Future Classics Program, and the play went on to premiere in the New Orleans Fringe Festival. NYTheatre.com wrote of his play Coat Check Casanova, which was produced at the Living Theatre, "Carrillo is most successful in his playwriting in [the] sections which really reveal what it means to be in one of America's invisible occupations—a service worker at the lowest rung of the hierarchy, taken for granted and too often taken advantage of." Jaime participated in the IATI Playwrights Lab with Oscar Colon, where he wrote Una Vida De Calidad. Una Vida de Calidad was selected as the 2010 Best Play Award Winner from the IATI Playwrights Lab. Other Credits:
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Access to the Reading:
Pay $5 at the door and get a glass of "vino"
Puritans Atrociously Merciful?
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Dates:
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About the Show:
When the powers of death crop up at every turn, what else can one do…but whistle? Physical theater about a tramp-like figure in 1870’s Alsace-Lorraine.
About the Artists:
We create concrete, visceral, inquisitive, and profoundly entertaining containers which reveal the frequent absurdity of, contradictions within, and fundamental mysteriousness of, human nature. We also seek to embody the tensions of living as hilariously, tragically, and stubbornly complex beings within a culture dominated by the rational mind. We are, therefore, a theatre of secrets which cannot be described, paths which may only be pointed to, and those fundamental elements of human reality which necessarily operate in unsearchable darkness.
Presidents Always Miserable?
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Dates:
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About the Show:
When the powers of death crop up at every turn, what else can one do…but whistle? Physical theater about a tramp-like figure in 1870’s Alsace-Lorraine.
About the Artists:
We create concrete, visceral, inquisitive, and profoundly entertaining containers which reveal the frequent absurdity of, contradictions within, and fundamental mysteriousness of, human nature. We also seek to embody the tensions of living as hilariously, tragically, and stubbornly complex beings within a culture dominated by the rational mind. We are, therefore, a theatre of secrets which cannot be described, paths which may only be pointed to, and those fundamental elements of human reality which necessarily operate in unsearchable darkness.
Peruvian Attracted Mistresses?
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Dates:
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About the Show:
When the powers of death crop up at every turn, what else can one do…but whistle? Physical theater about a tramp-like figure in 1870’s Alsace-Lorraine.
About the Artists:
We create concrete, visceral, inquisitive, and profoundly entertaining containers which reveal the frequent absurdity of, contradictions within, and fundamental mysteriousness of, human nature. We also seek to embody the tensions of living as hilariously, tragically, and stubbornly complex beings within a culture dominated by the rational mind. We are, therefore, a theatre of secrets which cannot be described, paths which may only be pointed to, and those fundamental elements of human reality which necessarily operate in unsearchable darkness.
Poor Antarctic Marines?
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Dates:
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About the Show:
When the powers of death crop up at every turn, what else can one do…but whistle? Physical theater about a tramp-like figure in 1870’s Alsace-Lorraine.
About the Artists:
We create concrete, visceral, inquisitive, and profoundly entertaining containers which reveal the frequent absurdity of, contradictions within, and fundamental mysteriousness of, human nature. We also seek to embody the tensions of living as hilariously, tragically, and stubbornly complex beings within a culture dominated by the rational mind. We are, therefore, a theatre of secrets which cannot be described, paths which may only be pointed to, and those fundamental elements of human reality which necessarily operate in unsearchable darkness.
Possible Antibiotic Mess?
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Dates:
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About the Show:
When the powers of death crop up at every turn, what else can one do…but whistle? Physical theater about a tramp-like figure in 1870’s Alsace-Lorraine.
About the Artists:
We create concrete, visceral, inquisitive, and profoundly entertaining containers which reveal the frequent absurdity of, contradictions within, and fundamental mysteriousness of, human nature. We also seek to embody the tensions of living as hilariously, tragically, and stubbornly complex beings within a culture dominated by the rational mind. We are, therefore, a theatre of secrets which cannot be described, paths which may only be pointed to, and those fundamental elements of human reality which necessarily operate in unsearchable darkness.
Pseudo Adulterous Merchants?
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Dates:
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About the Show:
When the powers of death crop up at every turn, what else can one do…but whistle? Physical theater about a tramp-like figure in 1870’s Alsace-Lorraine.
About the Artists:
We create concrete, visceral, inquisitive, and profoundly entertaining containers which reveal the frequent absurdity of, contradictions within, and fundamental mysteriousness of, human nature. We also seek to embody the tensions of living as hilariously, tragically, and stubbornly complex beings within a culture dominated by the rational mind. We are, therefore, a theatre of secrets which cannot be described, paths which may only be pointed to, and those fundamental elements of human reality which necessarily operate in unsearchable darkness.
A PAIR OF ONE ACTS PLAYS
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I don’t know why I can’t stop myself…. When at the start… I can already see the end. Written by Cecilia Copeland Directed by John Gould Rubin
Dates:
Language: English Location: Gershwin Hotel: 7 East 27th Street | New York, NY 10016 |
Synopsis
PLAYING: A Realism Piece about a young couple Dana and Donny trying to win at something. As they play the game of love against each other, neither one can seem to find a way to get what they want. When the blinders come off they have to stop playing and start living.
VELVET EGGS: This Poetic Realism Piece is a multigenerational romance that puts the political system on the body. It marries sexuality with personality and vulnerability. When the back and forth of trust and desire escalates to its highest peak the ending could go either way.
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About the Playwright:Cecilia Copeland’s most notable full-length Light of Night (Luz de la Noche) has had readings at New Dramatists, Arts/West, and IATI—a full production is due in 2013. The Wicked Son A Passover Play, was featured in the Friday Night Footlights Series at the Dramatists Guild of America. She was a Biolife Finalist for the David Calicchio Emerging Playwright’s Prize. Her play Courting was produced at Stage Left Productions’ as it was also the New Play winner in 2008. One Women received a production for SWAN Day 2008 and was the winner of the Lennis J. Holm Scholarship Playwriting Award. Her one-act Amusement Bomber was adapted into a short film with a Grant from Metro Screen Australia. Also a one-act, W.O.W Hostage was produced by 13th Street Repertory Theater. Her short work, Words of a Revolutionary was produced by the Anarchist Theatre Festival of Montreal, while Unicorn and Moontanner Girls were published by The International Center for Women Playwrights 2011. Cecilia is a Graduate of The Stella Adler Studio in New York. She holds a Theater BA with Honors and a Minor in Dance from the University of Iowa and an MFA in Playwriting from Ohio University. Cecilia is the Founder and Artistic Director for New York Madness. Starring:
Josh Bywater |
Access to the Reading:
Pay $5 at the door and get a glass of "vino"
EXISTING FOR PROLEPSIS
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He’ll always find something, eh Gaudi? To give him, them and us the impression he exists? Written by Haydn Díaz Directed by Julián J. Mesri
Dates:
Language: English Location: Gershwin Hotel: 7 East 27th Street | New York, NY 10016 |
Synopsis
Poetry, a white space, a column, a heart in thorns, a throbbing and a thrash bag about to burst: that is all Gaudi and Tristi have and nothing more. They are trapped. They wait for an answer from above. They are anguished. They yearn to know what is outside. They are without answers, but they do have one rule. When Oestrus enters and—driving them mad—pushes them to break the one and only rule, they discover what existing for prolepsis means and the horrid consequences of escaping from the space that guarded them from the world outside.
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About the Playwright:Haydn Díaz received his B.A in English Literature and Minor in Theatre from the Honors College at Florida International University in Miami, Florida. His senior thesis, Au Courant Gothic, An Original Compilation, composed of works for stage, short-fiction and poetry written during his work as an undergrad, was presented at NCUR (National Conferences on Undergraduate Research) and FCHC (Florida College Honors Conferences). His play Like An Angel was chosen for the 2011 KCACTF (Kennedy Center American College Theater Festival). Miami’s annual Stage and Soundstage Festival presented his one-act It All—Almost—Makes Sense Now in the summer of 2011. He is the Literary Associate at IATI Theater and is currently completing an internship with the Dramatists Guild of America in the Creative Affairs Department. He is a member of the South Florida Theater League and the Dramatists Guild of America. Starring:
David Crommett |
Access to the Reading:
Pay $5 at the door and get a glass of "vino"
Performing Arts Marathon 2012
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Dates: May 1, 2012 - August 12, 2012 |
MARIANA PINEDA
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Si les dijera un nombre, no dejaría nunca de estar presa de mi propia conciencia. Written by Antonio César Morón Directed by Walter Ventosilla
Dates:
Language: Spanish Location: Gershwin Hotel: 7 East 27th Street | New York, NY 10016 |
Synopsis
Mariana Pineda tells the story of a heroine of the city of Granada (Spain) that was condemned for embroidering a flag with the motto of the liberal plight, “equality, liberty and law” and thus defied the monarchical, totalitarian regime imposed by King Ferdinand VII. Mariana Pineda was first detained and imprisoned within a Granadian convent but was later sentenced to death by the king himself through the gruesome torture of the Spanish garrote vil. Se was only 26 years old. Before her execution, Mariana was offered absolute pardon and liberty if she provided the names of her liberal accomplices, but she refused by speaking the words: “Without hesitation I prefer a glorious death than to cover myself in shame by betraying a living person.” Her imprisonment and death have also been dramatized by other Granadian authors such as Federico Garcia Lorca and José Martin Recuerda.
Antonio César Morón has exposed the topic in a radically different point of view and chosen a setting away from Granada in order to give the play a more universal nature. However, his most innovative contribution to the story is his use of a dramatic technique that is utterly different from that utilized by other authors who have worked with this material before. The technique used in this piece has been named by Morón as “quantum playwriting,” which consists of exploring the possible translations of theories developed by quantum physics and applying them to dramatic texts.
Buy the Quantum Theater...
The following books will be sold at "Mariana Pineda's" reading. If you wish to buy them online, click on the title of the one you fancy:
LA DRAMATURGIA CUÁNTICA
ESTADO ANTIMATERIA, Pentarquía de dramaturgia cuántica
RETÓRICA DEL SUEÑO DE PODER. Comedias.
EL METAL Y LA CARNE. Tragedias
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About the Playwright:Antonio Cesar Moron is a playwright, poet and essayist. He holds a doctorate in Literary Theory and Comparative Literature from the University of Granada where he also holds the post of professor. He is the author of two play anthologies: Retórica del sueño de poder (Rethoric of the Dream of Being Able to), which compiles three comedies, and El metal y la carne (The Metal and the Flesh), which compiles three tragedies. He has also published single works for the stage such as the comedy, Siseos de venganza (Hissings of Vengence), and the tragedy, Euridice. His dual vocations as researcher and creator merge masterfully in his book entitled, La dramaturgia cuantica, Teoria y practica (Quatum Playwriting, Theory and Practice), where his play Dámada is published. His other renown essays include, La escena y las palabras, (The Scene and the Words), Ensayos de teatro y dramaturgia (Essays of Theater and Playwritng), Teatro y sentido (Theater and Sense), La interpretación frente a sus límites (Interpratation Faces Its Limits) and his doctoral thesis, Jose Martin Recuerda en la escena Española (Jose Martin Recuerda in the Spanish Scene). Starring:
Emely Grisanty
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Access to the Reading:
Pay $5 at the door and get a glass of "vino"
Vocal Training Workshop: Mastering Vocal Performance
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Dates: May 19, 2012 - July 14, 2012 ( 3–5:30pm) Language: English | Spanish Location: ART/NY: 520 8th Avenue, 3rd Floor, New York, NY 10018 |
Synopsis
Enhance your performance skills to your best potential as a solo singer as well as an ensemble vocalist. From May to July 2012, you will work on the development of your singing voice through body awareness—applying the Feldenkrais Method—and voice techniques from the worlds of classical, jazz and contemporary music. Aural awareness will be improved through ear exercises, and ensemble singing. Techniques for performance practice and dealing with performance anxiety will be addressed. During this process you will work on individual song interpretation/presentation, ensemble singing and introduction to voice improvisation.
For 8 weeks, close attention will be paid to body awareness, voice technique, ear training and repertoire. Participants will work to develop 2 individual songs of their choice, and individual/collective improvisational skills. Participants will be given a list of songs to choose from in the genres of jazz, Latin jazz and new music.
• Open to people with a background in singing.
Workshop Meets:
Saturdays, 3:00 to 5:30pm
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Week 1 - May 19 Week 2 - May 26 Week 3 - June 09 Week 4 - June 16 Week 5 - June 23 Week 6 - June 30 Week 7 - July 07 Week 8 - July 14 |
BELIEVE
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Will he accept his failure or deal with himself? Written by Jonathan Vidal Directed by Rubén Dario Cruz II
Dates:
Language: English Location: Gershwin Hotel: 7 East 27th Street | New York, NY 10016 |
Synopsis
Like his predecessors Kobe Bryant, Kevin Garnett and LeBron James, Peter Thomas wants to make the jump from high school to the NBA. It’s not his lack of experience or injury that detours his goal but his inner demons. However will he accept his failure or deal with himself?
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About the Playwright:To discover his true passion in writing and acting, it took Jonathan Vidal becoming a born again Christian, “man, I give God credit for that.” His first full-length screenplay (Better Change) opened the doors to IATI Theater's Directors/Playwright Lab. He then jump kicked his acting career when he played Richard in Richard the Third at PRTT’s Shakespeare Summer. He then had success after success playing roles for The 13th Street Repertory Company and for Thespian Production. He recently made his directorial debut at The Redeemer Church with his original piece, Prom Night. He is currently working on multiple plays/screenplays that he hopes will be ready by next spring. |
Starring:
Yarc Lewinson
Blanca Vasquez
Jesus E. Martinez
Carl Ducena
Ama Birch
Access to the Reading:
Pay $5 at the door and get a glass of "vino"
PALISADE 2515
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Mother, please, I want to go back to your womb. I want to go back and never be born again! Written by Kisha Tikina Burgos Directed by Arí Maniel Cruz
Dates:
Language: Spanish and English Location: Gershwin Hotel: 7 East 27th Street | New York, NY 10016 |
Synopsis
Palisade 2515 tells the story of Daniela, a Mexican woman who acquires her first home at Palisade Avenue in New Jersey after many years of arduous work in the United States. Pucho, a Puerto Rican handyman who was originally hired to fix a small leak, convinces Daniela to conduct major repairs to the house with the alleged purpose of properly improving the property. The house represents the American dream which turns fragile as the bleak future of her son, Cuauhtemoc, begins to be obliquely revealed. Daniela must face the imaginary world of her child who claims to have “a friend whose head has been replaced.” All the while, Daniela is in danger of losing her house. In a mystic and spiritual manner, Daniela and her son face the fear of losing each other and even themselves.
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About the Playwright:Kisha is a native of Barranquitas, Puerto Rico. Actress, writer, educator and producer of theater and film, Kisha Tikina is a professor in The Visual and Performing Arts Department at Hostos Community College. She is also Founder & Artistic Director of La Teta Productions, LLC. Currently in the postproduction of her feature film Under My Nails. After fifteen years working in the professional theater and the cinema of Puerto Rico, Kisha earned an MFA in Dramatic Writing at TISCH, NYU. She has represented Puerto Rico in renowned Theater Festivals around the world: “FILO,” Londrina, Brazil and FIT, Cádiz (Spain) among others. Some of her produced plays are: Anoche soñé que me comías (Last Nigh I Dreamt That You Ate Me), De mala muerte (With Bad Death), and “Nívea del encanto.” Her work has been sponsored by The Institute of the Puerto Rican Culture (ICP), The Community Media Project (PROCOM), The Public Broadcasting Corporation of P.R., The Toyota Foundation, and others. Her most recent plays are: 7 Days, 7 Plays, staged by Boundless Company at Teatro Círculo and Oh De Sea, directed by Tamilla Woodard and produced by The Internationalists Company for the Theater Festival “Which Direction Home?” at La Guardia Performing Arts Center. |
Access to the Reading:
Pay $5 at the door and get a glass of "vino"
CUCARACHAS
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Puedes pasar horas en los vericuetos de esta puta urbe; a cientos de metros bajo tierra como un maldito escarabajo. Written by Cristian Cortez Directed by Memo
Dates:
Language: Spanish Location: Gershwin Hotel: 7 East 27th Street | New York, NY 10016 |
Synopsis
Walter, Billy and John are three illegal and undocumented Ecuadorian immigrants. They share a dirty, roach infested basement in Corona, Queens, NYC. They live shut-in while the most severe winter in past decades rages on. Walter and John are brothers, the other is a close friend. The three of them attempt to eradicate the roaches in the basement, but they have no idea that the real roaches about to be eradicated by the circumstances are them.
Cortez depicts the plight of hundreds of Hispanic immigrants by dramatizing three of them. The script becomes a scathing depiction of the tragedy of the phenomenon of immigration, human smuggling, raids and xenophobia.
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About the Playwright:Cristian Cortez is a playwright, screenwriter, journalist and professor, native of Ecuador. He was the winner of the First National Playwriting Prize of “La Casa de la Cultura” in the years 2000 and 2010. Since 1994 he has written successful Ecuadorian television shows like the series, De la vida real (Of Real Life) and the soap opera El Cholito. As screenwriter for the big screen, he wrote the short film Ultima funcion (Last Showing) and the feature film La Huerta Perdida (The Lost Orchard). He worked as theater critic for El Universo, El Apuntador, El Telegrafo and Diario Hoy. He has collaborated with the seminar, Ecuador News de Nueva York and the magazines Conjunto (Cuba), and PODIUM (Espírtu Santo University). As magister of college education, he has taught script, playwriting and communication classes as faculty in the department of Philosophy, Humanity and the Arts at the Santiago Catholic University of Guayaquil and in the Communication department at UEES. His works have been translated into three different languages and included in anthologies of contemporary Ecuadorian theater. His plays have been performed by international casts and in Off-Broadway theaters. |
Access to the Reading:
Pay $5 at the door and get a glass of "vino"
Montera
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Dates:
Location: Baruch Performing Arts Center |
About the Show:
"I believe that sex is one of the most beautiful, natural and integral things that money can buy." --Tom Clancy
Physical theater, a woman works her corner.
About the Artists:
By fusing the disciplines of theater and dance and so creating a distinctive physical theater—our mission is to get the audience to jump into a world of quotidian words that become a new language when they are incited by the movements on stage. We approach delicate and controversial issues in humorous and lighthearted ways that shine a new light on them.
The Whistling Mortician
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Dates:
Location: Baruch Performing Arts Center |
About the Show:
When the powers of death crop up at every turn, what else can one do…but whistle? Physical theater about a tramp-like figure in 1870’s Alsace-Lorraine.
About the Artists:
We create powerfully embodied, deftly inquisitive, and richly entertaining containers which point to both the profound depth, and fundamental mysteriousness, of human nature. We also seek to embody the tensions of living as hilariously, tragically and stubbornly complex beings within a culture dominated by the rational mind. We are, therefore, a theatre of secrets which cannot be described, paths which may only be pointed to, and those universally shared elements of human reality which nonetheless operate in unsearchable darkness.
Heart on a Dirty Platform
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Dates:
Location: Baruch Performing Arts Center |
About the Show:
Dance, music and video paint a picture of the metropolitan subways in which a young woman experiences the throes of a relationship.
About the Artists:
We look to the past for inspiration from the timeless works and traditions of dance and to the future for opportunities to create a unique artistic expression of our world. Our vision recognizes the importance of the performing arts in enriching the lives of all people and involves the collaborative creation of new works by resident and guest choreographers. Our ultimate goals are to explore and create new and lasting dance, to present works that engage a diverse audience, to provide performance opportunities for professional artists and give back to communities through educational programs.
El correo de la noche (Night Delivery)
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Dates:
Location: IRT Theater |
About the Show:
Interdisciplinary performance based on themes of real and imagined experiences of foreign cities at night, plunging into our fear of the unknown.
About the Artists:
We are an experimental theatre company making plays that move seamlessly between the irreverent and poetic, the personal and political, and the highly entertaining and intellectually challenging—inspired by Brecht’s view that to be challenged is also to be entertained. Based in New York City and working in both English and Spanish, our work includes new plays, classical adaptations and devised creations.
Nella Foresta (In the Forest)
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Dates:
Location: Baruch Performing Arts Center |
About the Show:
Theatrical journey with life size puppets in which a man finds answers to life's questions through a fairytale forest in his mind.
About the Artists:
We develop theatre research and work on classic and contemporary plays. We create a new language for each project. Thomas McEvilley said: "The search for the other is the search for the newness of one’s changing self.” For us, this is one of the goals of theatre. So it is that our rehearsals and workshops are open to the needs of the given moment, of each and every one particular production.
La Quinta Luna (The Fifth Moon)
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Dates:
Location: Baruch Performing Arts Center |
About the Show:
An emotional journey though the art form of Flamenco and the power of the moon, the light in the darkness.
About the Artists:
We are dedicated to sharing our passion for the art, music and culture of Andalusia, Spain. We are recognized nationally for maintaining the ethnic richness of flamenco by presenting it in its traditional and modern forms to the New York community. Through high quality local, national and international artists we evoke the inspirations of Andalusian conventions.
